Angklung Originaly From Indonesia

Angklung is a renowned musical instrument made of bamboo and its originated is West Java, Indonesia. In the early days, music played an essential part of ceremonial activities, especially in the harvest times. The sound of bamboos is believed will catch the attention of the goddess Sri – who will bring fertility to the plantation, and pass the joy and happiness for mankind.

The oldest Angklung in history that still exist is called Angklung Gubrag made in Jasinga, Bogor, and has reached 400 years of age. Nowadays, some of those older Angklung remain in Sri Baduga Museum, Bandung.

As the time flown by, Angklung is not only recognized throughout Indonesia, also, spreading to other Asian countries.
In the late of 20th century, Daeng Soetigna created Angklung based on diatonic tone scale. Ever since then, Angklung has been used in entertainment business as well it is even able to play diverse genres of music. And In 1966, Udjo Ngalagena a student of Mr. Daeng Soetigna developed Angklung based on traditional Sundanese tone scale Salendro, Pelog and Madenda.

Current days, many contemporary and young musicians compose music through the brilliant sound of bamboo.

Batik Originaly From Indonesia

Batik is generally thought of as the most quintessentially Indonesian textile. Motifs of flowers, twinning plants, leaves buds, flowers, birds, butterflies, fish, insects and geometric forms are rich in symbolic association and variety; there are about three thousand recorded batik patterns.

The patterns to be dyed into the the clothe are drawn with a canting, a wooden ‘pen’ fitted with a reservoir for hot, liquid wax. In batik workshops, circles of women sit working at clothes draped over frames, and periodically replenish their supply of wax by dipping their canting into a central vat. Some draw directly on the the cloth from memory; others wax over faint charcoal lines.
This method of drawing patterns in wax on fine machine-woven cotton was practiced as a form of meditation by the female courtiers of Central Java; traditionally, batik tulis (tulis means ‘write’ in Indonesian) is produced by women.

In the 19th century, the application of waxed patterns with a large copper stamp orcap saved the batik industry from competition with cheap printed European cloth. The semi-industrial nature of cap work allows it to be performed by men. Batik motifs recall characters from the Hindu epics, plants, animals, sea creatures and gamalan melodies.


In Surakarta rich creams and browns are juxtaposed with tinges of yellowish gold.White, undyed cloth is left to contrast with the sombre opulence of brown and blue dyes in Yogjakarta. The palette of the north coast were influenced by lively maritime trade and the textile traditions of the Chinese and Arab mercantile communities living in port and coastal towns.


The Symbolic Meaning of Batik’s Motifs

The motifs of Batik, especially with old pattern, as in other field of Javanese tradition are symbolizing something. Might be, this is one of the reasons, why people still adore batik up to present date. Some of the motifs are :

  1. Sido Mulyo :
    Sido (you should be ), mulyo (happy). Symbolizing ‘you should be happy and rich man’.
  2. Sido Dadi :
    Symbolizing ‘you s
    hould be a man/woman as you wish (prosperous, high ranking position, wealthy, etc)’.
  3. Satrio Wibowo :
    Symbolizing ‘Man with dignity’.
  4. Tikel Asmorodono :
    Tikel (more), Asmoro (love), Dono (gift).
    It is meant the one who wears this batik, should be loved more and more by others.

The Process of Batik Making

Batik, in Javanese means ‘To Dot’. Basically there are two kinds of batik; Batik Tulis (hand drawn) and Batik Cap (stamped). The price of batik tulis is much more expensive than batik cap.










Doting

A canting (a pen like instrument with a small reservoir of liquid wax) is applied to the cloth of batik tulis making. The tracing of the desired design on to the prepared cloth is the first stage of making followed by the technique of applying wax and dye substances. At the final stage of the process, all the wax scraped off and the cloth boiled to remove all traces of the wax. This process of repeatedly waxing and dyeing is the batik process, used until nowadays in Java and other parts of Indonesia.

So, this kind art of batik is an indigenous to the country. The wax used in batik process is a combined product of paraffin, bees-wax, plant resins called gondorukem and mata kucing.

Batik cap, which is also using the waxing process, its process of course faster and easier. But people appreciation of batik tulis is higher, it is really a work of an artist not only a craftsman. It combines the expertise, patience, deep feeling to produce the finest product, and it may take days, weeks and even months to make only a batik tulis

The Cities of Batik

Yogyakarta and Solo are the centers of traditional of batiks, as the north coastal town of Pekalongan is the center of more modern batiks, using more floral and birds motifs. There are some well-known artists of batik design in Yogya and Solo, as well as some big batik manufacturers with famous trademarks.

The growing production of batik makes way to the establishment of mori (woven cotton fabrics) factories in Yogya and Central Java. The Batik research Institute was founded in Yogya.

When Batik is Worn

Batik dresses are worn for several purposes, such as ;

  1. Informal Dresses
    It is a free choice, usually for daily casual wear.
  2. Formal Occasions
    In some parties, as a state banquets, receptions, etc, the invitees are requested to wear batik. Long sleeves shirts for the men and ‘kain batik’ (long batik to cover the lower body) for the women.
  3. Traditional Occasions
    It is worn to present the traditional wedding ceremonies, special ceremonies for the Royal families, etc.

In a wedding ceremony the bride and the bridegroom wear the same motif of batik Sidomukti, symbolizing a happiness and prosperous life. Using the same motif symbolizing the togetherness. The parents of the bride and the bridegroom wear batik with motif of Truntum, symbolizing the advice of the parents to the newly weds to enter the new life with full of love and confidence.

Traditional Dress

Women’s traditional dress, especially in Yogya and Solo court families, consisting of :

  1. Jarit or Tapih or Sinjang
    A ‘kain panjang’ (long cloth of batik) measuring around 2 m x 1 m to cover the lower body, tightened with stagen (large waist band)
  2. Kebaya
    It is a traditional long sleeved shirt (the material used is not from batik, usually from silk and other fine materials).
  3. Selendang
    It is used as attractive piece of clothing to compliment the traditional dress. The 2 m x 0,5 m selendang cloth hung over one shoulder.
  4. Kemben or Semekan
    It is special for ceremonies in Karaton (palace) or Royal family ceremonies. Instead of wearing Kebaya, to cover the upper body, a kemben is worn.

Men’s Traditional Dresses

  1. Jarit or Bebed
    Men kain panjang, tightened with stagen.
  2. Surjan
    Men traditional long sleeved shirt (only for Yogya style) and the material is not batik.
  3. Beskap
    Instead of wearing surjan, the men wear a coat (beskap of Solo style or Atila of Yogya style), the materials is not batik.
  4. Blangkon
    It is a headgear made from batik.
  5. Keris
    The dagger is worn at backside of the waist, as a compliment to the dress.

Dodot

Is a very long jarit to cover the lower body. It is worn only on a very special occasion such as the king coronation by the king himself. The wearing of dodot or kampuhan is very complicated. It may take two hours to wear a dodot with the help of specialist-dressers!


Introducing Indonesia

Introducing Indonesia

Adventure looms large in this vast and steamy archipelago, where the best of Southeast Asia’s spicy melange simmers tantalisingly. Heady scents, vivid colours, dramatic vistas and diverse cultures spin and multiply to the point of exhaustion, their potent brew leaving your senses reeling.

Rippling across the equator for nearly 5000km, Indonesia encompasses more than 17,000 islands, two-thirds of which are inhabited and richly layered with character. On Sulawesi, the elaborate funeral ceremonies and timeless traditions of Tana Toraja are light years from the surfing culture of Lombok. But so too are the mighty saddle-backed Batak mansions of Danua Toba and the volcanic lakes of Sumatra from the mummies and deeply etched gorges of Papua’s Baliem Valley. The resorts and restaurants of Bali pamper precocious style cats, while at the same moment threadbare backpackers are adopted by homestays in Kalimantan.

Indonesia’s cities are in a constant state of urban evolution, where dense populations, technology and construction live in hectic symbiosis. But most of the archipelago’s territory remains unexplored, concealing a wealth of cultures and a myriad of landscapes. Oceanic rice fields and ancient sultanates in Java are humbled by haunting volcanic cones. Maluku’s alabaster beaches and desert islands remain pristine while the tourist trail heads elsewhere. The jungles of Sumatra, Kalimantan and Papua are zoological wonders, revealing impish monkeys, stoic sun bears, leopards, orang-utans and remarkable marsupials.

And then there are the micromoments, equally exquisite but entirely unexpected; impromptu English lessons with school children, instant friendships in crammed bemos, lending an ear to your becak rider… In Indonesia there is plenty of cause to pause, except when dodging hurtling traffic – but that’s all part of the adventure.

The Togian Islands

The Togian Islands

Sunset at Kadidiri - Togian IslandsB-24 wreck - propeller

Coral landscapeBarracudas at Apollo reef

GobyImperator on nudibranch

HammerheadsSponges and Jacks

FrogfishHawkfish
Diver

Pyramid Butterfly fishTwo kids at Kalumbatan

Anemone fishPaisubatu and Bobara at Una Una

From April to October, the cruises are located in the Togian Islands, inside the large Tomini Bay. The Togians include 3 main volcanic islands close together, and another one apart on the North that erupted last in 1984, as well as numerous islets. It is the only place in the world where barrier reefs, atolls, and fringing reefs are found together. Most of the islands is still covered by dense tropical forest, human settlements and tourism are still very limited.

The Togian islands dives specificity is certainly the beauty and the diversity of the underwater sceneries their offer, with a visibility that is generally very good.

Around the volcanic island of Una-Una, where we stay for 3 days, sponges size and shape diversity are astonishing, probably among the biggest in the world. The fish life is very dense: schools of jacks and barracudas, Bump head parrotfish’s, numerous napoleon wrasses, snappers, fusiliers, etc.
Other dive sites include beautiful drop offs with crevasses and overhangs, canyons, rocks formations, pinnacles, all offering a great variety of spectacular underwater sceneries.

Pelagic life is present on some of the spots with schools of barracudas, tunas, giant trevallies, eagle rays, reef sharks and sometimes hammerhead sharks.

The development and the diversity of coral formations are also a highlight of the Togian islands. The cruise also includes a visit to an intact plane wreck B24 from the 2nd World War laying on the bottom at eighteen meters depth.

Our twelve days cruise, EXT TOG, covers the 8 days Togian cruise and ends in Luwuk, spending four more days of diving along the eastern tip of the peninsula that separates Tominy bay from Luwuk area. The dive sites of this area -we are the only dive operators there- are mostly rocky formations and pinnacles with an intense marine life and a high density of fishes including pelagic as tunas and giant jacks. Abundant gorgonians, soft corals and daisy corals make also those dives very colorful. For a more precise description of the Peninsula dive sites, please refer to the Banggai Cruise section.

Kadidiri bay

Examples of diving sites we visit during the Togian cruise:

NB. Most of the dive sites that are walls or slopes can be dive at different depth according to the diver’s level and wishes, and if the dive is a morning or an afternoon dive. That’s why we sometime mention a depth range rather than a maximum depth.

Dominik rock; Kadidiri Isl., depth 110 feet
It is a rocky formation outside the barrier reef (the barrier reef runs along almost all the north coast of Togian islands). We leave the bottom of the reef wall at a depth of 55 feet and follow the sandy bottom in between massive rocks, where we frequently spot giant groupers. The last rock, at 100 feet depth, makes a wall on its outside part falling in the deep blue, from where are coming up tunas and schools of jacks. We then follow the top of this rock that forms a flat platform covered with colorful soft corals, sponges and splendid huge gorgonians. The dive then go back to the reef wall that we follow, getting slowly up until the lagoon where we finish the dive.

Fishomania; Una-Una Isl., depth 40 – 80 feet
Una-Una is a volcanic island in the North of the Togian group. The volcano last eruption was in 1984, and since then human settlements are theoretically forbidden on the islands. In fact, a few inhabitants stay there, taking care of the numerous coconut trees on the lower part of the island, the upper part being covered by dense tropical forest.

Fishomania is a pinnacle with a top a 12 feet deep, where aggregates high densities of fishes: we generally spend a few minutes hanging on some rocks in the current, looking at the non remitting and hypnotic ballet that forms schools of fusiliers, surgeons fishes, snappers, jack fishes and so many others. The outside part of the pinnacle forms a splendid wall covered by dense coral formations of all shapes and colors, associated with sponges of uncommon size and shape.
Turtles and Napoleons are usually spotted, as well as eagle rays and white tips sharks.

Manara 1, Una-Una Isl., 45 to 90 feet
On the Una-Una barrier reef, it is a slope offering a luxuriant hard coral coverage. Another highlight of this dive is a white gorgonian field at 90 feet depth, at the beginning of the dive. Same as on the other sites of Una-Una, you will find a dense fish life all along the dive.

Apollo reef, Una-Una isl, 90 feet
A reef formation on a sandy slope, from 25 to 35 meters depth. As on the other dives on Una-Una, there is always a lot of fishes (schools of surgeons, fusiliers, Napoleon wrasses) but the highlight of the dive is huge schools of barracudas (more than one thousand ?) that comes to check and surround the divers.

Kololio, Una-una isl, 30 feet Night dive
We mention this night dive because in addition to the critters, we generally see turtles, sleeping parrot fishes -including bump head parrot- wrasses, and many other fishes interesting for portraits.

Mimpi Ding-Ding, Pasir Tengah atoll, depth 65 to 100 feet
You dive straight down along an absolutely vertical wall that goes down to abyssal depth (but not you, even though the temptation is hard to resist!). The deep and transparent blue of the water -the visibility is generally excellent- gives to this dive a special fantasy ambient. This the archetype of the “wall”, where hang huge tubes and barrel sponges , black corals, where are cruising tunas, eagle rays, ascending and descending schools of Platax and trevallies. The wall also presents beautiful overhangs and crevasses. This a also a typical dive profile of the tropics where you slowly get up along the wall and finish your tanks at the top of the reef looking at the aquarium.

Goa-goa, Pasir tengah atoll, depth 55 feet
Another wall, with a lot of overhangs and horizontal faults. A very good site for photographers, with a good coverage of soft corals. A large swim through at 40 feet deep, with walls and ceiling covered by bright yellow siphonogorgias. The wall between 6 and 3 meters, where we spend the last twenty minutes of the dive, is colonized by an amazing quantity of various nudibranches.

Batu Gila (“Crazy stone”), 100 feet
A special spot for pelagics outside the barrier reef of Kadidiri. A reef with a top at -27 mts, on a sandy bottom of about 70 mts. When the currents are strong at certain periods of the tide, the fish life is very dense: Schools of jacks, barracudas, white tips, grey reef sharks and sometime hammerheads. Due to the strong currents , this dive is only offered to experienced divers.

Gunung laut, South Togians, Depth 80 feet
Coming up from a bottom of more than 200 meters, this pinnacle that culminates at -27 meters is visited by numerous pelagic fishes: tunas, white tips and grey reef sharks, schools of jacks. Beautiful coverage of soft corals.
This area has several pinnacles that are probably all good diving sites, but we practice only two of them. Some room for exploration, mention it on board if you are interested.

B24 liberator, South Togians, depth 60 feet
The wreck, a American B24 bomber from the Second World War, lays almost intact on a 18 meters bottom. The plane was on its way back to its base on Morotai Island (North Mollucas) when an engine went on fire. The pilot managed to alight on the waters of this calm bay. All the crew was safe and went to the land where the local people rescued them.
A large school of jacks is always on the spot; shrimps, glass fishes, crocodile fishes.

For more information : http://www.wallacea-divecruise.com/togians.html